Yoshin Kempo

"You can be as unyielding as the mighty Oak tree against the raging winds and be torn up by your roots... or you can be as the Willow tree and bend with the wind!"

Yoshin Kempo is the Martial Art taught within the Scottish Kempo Academy and is recognised by the Government of Japan. Yoshin being the style and Kempo (Karate) the art, this is a Japanese term meaning Willow Heart Fist Law. The Yoshin Kempo Self-Defence system incorporates elements of JuJitsu and was created by the SKA Founder: Kyoshi Neil Hourston, who is a Master of both arts with lineage to ancient Kempo and JuJitsu Ryu (schools). Yoshin Kempo is a modern life-protection art based on proven battlefield skills used by the ancient warriors of Japan, the legendary Samurai.

Yo | Shin | Kem | Po
Willow | Heart | Fist | Law

Yoshin Kempo is a non-competition Martial Art. Our extensive and practical syllabus includes: strikes, kicks, punches, throws, joint locks, bone breaking, chokes, strangles, nerve points, board breaking, bag and pad work. Certain techniques are adjusted for, or excluded from, children. The syllabus prepares Kempoka (Kempo practitioners) for a no-nonsense approach to combat. High kicks are rarely employed as kicks are generally directed at mid-to-low-level target areas whilst multiple strikes and punches are mainly executed to upper body target areas. Practical throws are performed which are designed to inflict maximum damage to an opponent upon impact with the ground whilst ensuring that the defendant does not cause undue physical exertion to oneself. Kempo techniques are studied in a safe, structured and friendly environment with a matted area for throwing techniques.

Tactical concepts which includes: manoeuvres, zones, distance, positioning, timing and awareness are essential facets of the art. After learning the art's basic structure, Kempoka are encouraged to tailor techniques within the base system to suit their own requirements based on skill, height and weight, thus placing emphasis on an art which everyone, regardless of ability, can incorporate!

Discipline is the foundation of the Martial Arts. In our art, practitioners display respect towards each other via a bow which is made by placing the left hand palm down over the top of the right hand which is clenched into a fist shape and held at chest height. This salutation is called the 'hokem' and means to 'cover or hide the fist' reminding practitioners to only use their combat skills in protection of life. It further signifies that one should maintain balance in their life.

- Yoshin Kempo is based on two Samurai arts -

Yoshin-Ryu JuJitsu

Akiyama Shirobi Yoshitoki was a Doctor from Nagasaki, Japan, who travelled to China to study Chinese medicine. During his stay he also studied some techniques from various Chinese Martial Arts. Upon his return to Japan he taught the techniques he learned in China but found it hard to keep students as the number and effectiveness of these techniques were limited. As a result, Akiyama retired to the temple of Temmangu at Tsukusai around the year 1723, there he felt he could further study these techniques in depth and attempt to expand on them. During his winter stay, he noticed the snow piling up on the branches of the trees outside the temple and noticed that whereas the snow piled heavily on the stiff branches of the mighty Oak tree, that it slipped harmlessly off the pliable branches of the Willow tree. Eventually the branches of the Oak tree began to break under the weight of the heavy snow but the Willow branches simply yielded and allowed the snow to fall off, thereby saving the tree. This brought a great enlightenment to Akiyama and he used the concept of flexibility to greatly increase the number and effectiveness of the techniques. He decided to name his style Yoshin-Ryu JuJitsu.

Kosho-Ryu Kempo

Kosho-Ryu Kempo (Karate) was founded by a Buddhist monk named Daruma, who was the successor of the first Buddha: Gautama. In 530 A.D. Daruma introduced Ch'uan Fa to the Buddhist monks of the Shaolin temple in China so that they could protect both themselves and the temple from bandits. Travellers introduced Ch'uan Fa to Japan and the Samurai blended elements of the art into their JuJitsu systems. The Kosho-Ryu Kempo system was founded by a Buddhist monk named Eizon (Kosho) Bosatsu, who, in 1235 meditated under an old Pine tree in the grounds of the family temple in Japan and came to an understanding of natural law which gave him a perfect method of defence and escape. Kosho-Ryu Kempo was brought to the West from Japan by Grand Master James Mitose.

There's two ways that the art can be spelt - KeMpo or KeNpo

In Japanese, Ch'uan Fa is known as Kempo or Kenpo, there are differences of opinion on how the art should be spelt due to various interpretations of the oriental characters in Mandarin, Chinese and Japanese, however, there is consensus that the art is pronounced with an m. We simply spell the art as it's pronounced: Yoshin KeMpo. In order to ascertain that it's perfectly acceptable to spell Kempo with an m we turn to the books of four notable Masters who were pioneers of the art. By researching their backgrounds and studying their text it becomes evidently clear that they acknowledged either spelling of the art...

Master Gichin Funakoshi

The first book on the art titled: Ryukyu Kempo Karate was originally published in 1922 and was authored by a Japanese based Okinawan Martial Artist: Master Gichin Funakoshi (1868 - 1957), who was the founder of the Shotokan Karate system.

Although modern Shotokan Karate leans heavily towards competition, Master Funakoshi never encouraged the art to be developed as a sport, instead he taught students to excel in kata (forms).


 

Master Choki Motobu

The second book on the art titled: Okinawan Kempo was initially published in 1926 and was authored by: Master Choki Motobu (1871 - 1944), an Okinawan Martial Artist.

Master Motobu initially moved to Japan where he successfully fought many competitions against JuJitsu, Judo and Boxing exponents, in later years he returned to Okinawa.


 

Grand Master James Mitose

The third book on the art titled: What is Self-Defense? (Kenpo Jiu-Jitsu) was originally published in 1953 and was authored by a Martial Artist of Japanese descent: Grand Master James Mitose (1916 - 1981). At four years old, Grand Master Mitose, who was the 21st descendant of the founder of the Kosho-Ryu Kempo system, was sent from Hawaii to learn the family art at their temple in Japan. He returned to Hawaii fifteen years later to teach the system and eventually moved to the American mainland.

Kempo (as spelt) is also mentioned within the book showing that he acknowledged both methods of spelling the art. People have stated that Grand Master Mitose was Master Choki Motobu's nephew but this claim has never been proven.


 

Grand Master Ed Parker

The art was catapulted onto the public stage in a major way by: Grand Master Ed Parker (1931 - 1990), a Martial Artist of Hawaiian descent. Grand Master Parker moved from Hawaii to the USA mainland and founded the American Kenpo Karate system.

Grand Master Parker, who authored a series of books on Kenpo from the 1960s onwards, was a student of Hawaii based: Grand Master William Chow (1914 - 1987). Grand Master Chow was a Martial Artist of Chinese descent and founder of the Kara-Ho Kempo system, he was also one of Grand Master James Mitose's senior students.