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Yoshin Kempo
"You can be as unyielding as the mighty Oak tree
against the raging winds and be torn up by
your roots... or you can be as the Willow
tree and bend with the wind!"
Yoshin Kempo is the Martial Art taught within the Scottish
Kempo Academy and is recognised by the
Government of Japan. Yoshin being the
style and Kempo (Karate) the art, this is
a Japanese term meaning Willow
Heart Fist Law. The Yoshin Kempo
Self-Defence system incorporates
elements of JuJitsu and was
created by the SKA Founder:
Kyoshi Neil Hourston, who is a
Master of both arts with lineage to ancient
Kempo and JuJitsu Ryu (schools). Yoshin Kempo
is a modern life-protection art
based on proven battlefield
skills used by the ancient warriors of
Japan, the legendary Samurai.
Yo
| Shin | Kem | Po
Willow | Heart | Fist |
Law
Yoshin Kempo is a non-competition Martial Art. Our extensive and practical syllabus includes: strikes, kicks,
punches, throws, joint locks,
bone breaking, chokes, strangles, nerve points, board breaking, bag and pad work. Certain techniques are adjusted for, or excluded from, children. The syllabus prepares
Kempoka (Kempo practitioners) for
a no-nonsense approach to combat. High kicks are rarely employed as
kicks are generally directed at
mid-to-low-level target areas
whilst multiple strikes and
punches are mainly executed to
upper body target areas.
Practical throws are performed
which are designed to inflict
maximum damage to an opponent
upon impact with the ground
whilst ensuring that the
defendant does not cause undue
physical exertion to oneself. Kempo techniques are studied in a safe, structured and friendly environment with a matted area for throwing techniques.
Tactical concepts
which includes: manoeuvres,
zones, distance, positioning,
timing and awareness are
essential facets of the art.
After learning the art's basic
structure, Kempoka are encouraged
to tailor techniques within the
base system to suit their own
requirements based on skill,
height and weight, thus placing
emphasis on an art which
everyone, regardless of ability,
can incorporate!
Discipline is the foundation of the Martial Arts. In
our art, practitioners display
respect towards each other via a
bow which is made by placing the
left hand palm down over the top
of the right hand which is
clenched into a fist shape and
held at chest height. This
salutation is called the 'hokem'
and means to 'cover or hide the
fist' reminding practitioners to
only use their combat skills in
protection of life. It further
signifies that one should
maintain balance in their
life.
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Yoshin Kempo is based on two
Samurai arts -
Yoshin-Ryu
JuJitsu
Akiyama Shirobi
Yoshitoki was a Doctor from
Nagasaki, Japan, who travelled to
China to study Chinese medicine.
During his stay he also studied
some techniques from various
Chinese Martial Arts. Upon his
return to Japan he taught the
techniques he learned in China
but found it hard to keep
students as the number and
effectiveness of these techniques
were limited. As a result,
Akiyama retired to the temple of
Temmangu at Tsukusai around the
year 1723, there he felt he could
further study these techniques in
depth and attempt to expand on
them. During his winter stay, he
noticed the snow piling up on the
branches of the trees outside the
temple and noticed that whereas
the snow piled heavily on the
stiff branches of the mighty Oak
tree, that it slipped harmlessly
off the pliable branches of the
Willow tree. Eventually the
branches of the Oak tree began to
break under the weight of the
heavy snow but the Willow
branches simply yielded and
allowed the snow to fall off,
thereby saving the tree. This
brought a great enlightenment to
Akiyama and he used the concept
of flexibility to greatly
increase the number and
effectiveness of the techniques.
He decided to name his style
Yoshin-Ryu JuJitsu.
Kosho-Ryu
Kempo
Kosho-Ryu Kempo (Karate) was
founded by a Buddhist monk named
Daruma, who was the successor of
the first Buddha: Gautama. In 530
A.D. Daruma introduced Ch'uan Fa
to the Buddhist monks of the
Shaolin temple in China so that
they could protect both
themselves and the temple from
bandits. Travellers introduced
Ch'uan Fa to Japan and the
Samurai blended elements of the
art into their JuJitsu systems.
The Kosho-Ryu Kempo system was
founded by a Buddhist monk named
Eizon (Kosho) Bosatsu, who, in
1235 meditated under an old Pine
tree in the grounds of the family
temple in Japan and came to an
understanding of natural law
which gave him a perfect method
of defence and escape. Kosho-Ryu
Kempo was brought to the West
from Japan by Grand Master James
Mitose.
There's
two ways that the art can be
spelt - KeMpo or
KeNpo
In Japanese, Ch'uan
Fa is known as Kempo or Kenpo,
there are differences of opinion
on how the art should be spelt
due to various interpretations of
the oriental characters in
Mandarin, Chinese and Japanese,
however, there is consensus that
the art is pronounced with an m.
We simply spell the art as it's
pronounced: Yoshin KeMpo. In
order to ascertain that it's
perfectly acceptable to spell
Kempo with an m we turn to the
books of four notable Masters who
were pioneers of the art. By
researching their backgrounds and
studying their text it becomes
evidently clear that they
acknowledged either spelling of
the art...

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Master
Gichin
Funakoshi
The first book on the
art titled: Ryukyu
Kempo Karate was
originally published in
1922 and was authored by
a Japanese based
Okinawan Martial Artist:
Master Gichin Funakoshi
(1868 - 1957), who was
the founder of the
Shotokan Karate
system.
Although modern
Shotokan Karate leans
heavily towards
competition, Master
Funakoshi never
encouraged the art to be
developed as a sport,
instead he taught
students to excel in
kata (forms).
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Master
Choki
Motobu
The second book on
the art titled:
Okinawan Kempo
was initially published
in 1926 and was authored
by: Master Choki Motobu
(1871 - 1944), an
Okinawan Martial
Artist.
Master Motobu
initially moved to Japan
where he successfully
fought many competitions
against JuJitsu, Judo
and Boxing exponents, in
later years he returned
to Okinawa.
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Grand
Master James
Mitose
The third book on the
art titled: What is
Self-Defense? (Kenpo
Jiu-Jitsu) was
originally published in
1953 and was authored by
a Martial Artist of
Japanese descent: Grand
Master James Mitose
(1916 - 1981). At four
years old, Grand Master
Mitose, who was the 21st
descendant of the
founder of the Kosho-Ryu
Kempo system, was sent
from Hawaii to learn the
family art at their
temple in Japan. He
returned to Hawaii
fifteen years later to
teach the system and
eventually moved to the
American mainland.
Kempo (as spelt) is
also mentioned within
the book showing that he
acknowledged both
methods of spelling the
art. People have stated
that Grand Master Mitose
was Master Choki
Motobu's nephew but this
claim has never been
proven.
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Grand
Master Ed
Parker
The art was
catapulted onto the
public stage in a major
way by: Grand Master Ed
Parker (1931 - 1990), a
Martial Artist of
Hawaiian descent. Grand
Master Parker moved from
Hawaii to the USA
mainland and founded the
American Kenpo Karate
system.
Grand Master Parker,
who authored a series of
books on Kenpo from the
1960s onwards, was a
student of Hawaii based:
Grand Master William
Chow (1914 - 1987).
Grand Master Chow was a
Martial Artist of
Chinese descent and
founder of the Kara-Ho
Kempo system, he was
also one of Grand Master
James Mitose's senior
students.
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